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bustergirl:

tgreywolfe1:

I’m reblogging this for three reasons.
1) I can’t get this photo off my mind.  For me, it speaks to the continuity of genius.
2) That damn cigarette in his mouth (I hate that cigarettes are sexy).
3) His hands.

And the fact that the film was HIGHLY FLAMMABLE! Geez Buster!

bustergirl:

tgreywolfe1:

I’m reblogging this for three reasons.

1) I can’t get this photo off my mind.  For me, it speaks to the continuity of genius.

2) That damn cigarette in his mouth (I hate that cigarettes are sexy).

3) His hands.

And the fact that the film was HIGHLY FLAMMABLE! Geez Buster!

holyunderwear:

It’s ridiculous that I know where this cropped and rotated image is from.

holyunderwear:

It’s ridiculous that I know where this cropped and rotated image is from.

love that side glance

love that side glance

ohmybuster:

Buster Keaton - The Bell Boy (1918)

ohmybuster:

Buster Keaton The Bell Boy (1918)

steamboatbilljr:

Buster Keaton in Parlor, Bedroom and Bath, 1931

this is painfully beautiful

steamboatbilljr:

Buster Keaton in Parlor, Bedroom and Bath, 1931

this is painfully beautiful

bustrkeatn:

Buster Keaton and Marceline Day in The Cameraman, 1928.

bustrkeatn:

Buster Keaton and Marceline Day in The Cameraman, 1928.

The correct (and practical) way to make out, presented by C. Greenwood, DDS and B. Keaton, DTF